UK label Eureka Entertainment have the following classic titles fo release at the end of March.
WHITE DOG: One of the most controversial American films of the 1980s, Samuel Fuller’s White Dog was originally withheld from release in the USA and has been rarely seen since. This head-on examination of racism remains a riveting and startlingly powerful film experience, with superb performances and a brilliant score by the great Ennio Morricone.
When a young actress (Kristy McNichol) adopts a stray white Alsatian she hit with her car, she soon discovers that the dog has been conditioned to attack any black person on sight. Its only chance is Keys (Paul Winfield), an animal trainer focused on breaking the dog’s behaviour and finding a way to eradicate its vicious instincts.
HANDS OVER THE CITY: Winner of the Golden Lion at the Venice Film Festival, Francesco Rosi’s Le mani sulla città [Hands Over the City] is one of the finest political dramas ever made – a ferocious, invigorating exploration of civic corruption in post-war Naples with the intensity of the best Hollywood thrillers.
Beginning with the collapse of an apartment building in a working-class district, the film zeroes in on the subsequent investigation of responsibility surrounding the disaster. At the centre is Edoardo Nottola (Rod Steiger), a wealthy land developer and council member of the government’s ruling party, who is determined to keep his personal and professional interests in the building of new government housing as intertwined as possible.
WAKE IN FRIGHT: Balanced on a knife-edge between social realism and existential horror, this disturbing, subversive portrayal of Australia’s cultural underbelly failed to find a wide audience on its original release, but has since become established as a seminal cornerstone of the Australian cinema.
A middle-class schoolteacher, stuck in a government-enforced teaching post in an arid backwater, stops off in the mining town of Bundanyabba on his way home for the Christmas holidays. Discovering a local gambling craze that may grant him the financial independence to move back to Sydney for good, the opportunity proves irresistible. But the bad decisions are just beginning and a reliance on local standards of hospitality in “the Yabba” may take him on a path darker than ever expected.
Extra features to be confirmed…..